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19th century American Fiction - "The Wright
Fiction"
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<P><B>CLOVERNOOK</B></P>
<P><B>OR</B></P>
<P><B>RECOLLECTIONS</B></P>
<P><B>OF</B></P>
<P><B>OUR NEIGHBORHOOD IN THE WEST</B></P>
<P><B>SECOND SERIES</B>.</P>
<P><B>BY ALICE CAREY</B>.</P>
<P><B>REDFIELD</B>,</P>
<P><B>110 & 112 NASSAU-STREET, NEW
YORK</B>.</P>
<P><B>1853</B>.</P>
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<P><B>ENTERED</B>, according to act of Congress,
in the year one Thousand Eight Hundred and
Fifty-three, <B>BY</B> J. S. REDFIELD, in the
Clerk's Office of the District Court of the
United States, for the Southern District of New
York.</P>
<P>A. CUNNINGHAM,</P>
<P>STEREOTYPER,</P>
<P>No. 183 William-street, New-York.</P>
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<HEAD>CONTENTS.</HEAD>
<LIST>
<ITEM>THE PAST <REF>9</REF></ITEM>
<ITEM>MRS. WETHERBY'S PARTY <REF>13</REF></ITEM>
<ITEM>ZEBULON SANDS <REF>80</REF></ITEM>
<ITEM>LEARNING CONTENT <REF>93</REF></ITEM>
<ITEM>THE TWO VISITS <REF>109</REF></ITEM>
<ITEM>UNCLE WILLIAM'S <REF>146</REF></ITEM>
<ITEM>UNCLE CHRISTOPHER'S <REF>171</REF></ITEM>
<ITEM>MY VISIT TO RANDOLPH <REF>197</REF></ITEM>
<ITEM>WHY MOLLY ROOT GOT MARRIED
<REF>230</REF></ITEM>
<ITEM>CHARLOTTE RYAN <REF>245</REF></ITEM>
<ITEM>THE SUICIDE <REF>281</REF></ITEM>
<ITEM>THE COLLEGIAN'S MISTAKE
<REF>290</REF></ITEM>
<ITEM>THE DIFFERENCE, AND WHAT MADE IT
<REF>317</REF></ITEM>
<ITEM>ELSIE'S GHOST STORY <REF>332</REF></ITEM>
<ITEM>WARD HENDERSON <REF>346</REF></ITEM>
<ITEM>CONCLUSION <REF>361</REF></ITEM>
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<HEAD>RECOLLECTIONS OF OUR NEIGHBORHOOD IN THE
WEST.</HEAD>
<HEAD>THE PAST.</HEAD>
<P><B>WE</B> do not suffer our minds to dwell
sufficiently on the past. Though now and then
there is one who thinks it wise to talk with the
hours that are gone, and ask them what report
they bore to Heaven, this sort of communion is
for the most part imposed as a duty and not felt
to be a delight.</P>
<P>The sun sets, and our thoughts bathe
themselves in the freshness of the morning that
is to come, and fancy busies herself in shaping
some great or good thing that is waiting just
beyond the night; and though, time after time,
we discover that Fancy is a cheat and lies away
our hearts into unsubstantial realms, we trust
her anew without question or hesitancy; and so
the last sun sets, too often, ere we look back
and seriously consider our ways.</P>
<P>I have met with some writer, I think Hazlitt,
in his "Table Talk," with whom my estimate of
the past harmonizes perfectly: "Am I mocked with
a lie when I venture to think of it?" he asks,
"or do I not drink in and breathe again the air
of heavenly truth, when I but retrace its
footsteps, and its skirts far off
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adore?" And, in continuation, he says, "It is
the past that gives me most delight, and most
assurance of reality." For him the great charm
of the Confessions, of Rousseau, is their
turning so much on this feeling—his
gathering up the departed moments of his being,
like drops of honey-dew, to distil a precious
liquor from them—his making of alternate
pleasures and pains the bead-roll that he tells
over and piously worships; and he ends by
inquiring, "Was all that had happened to him,
all that he had thought and felt, to be
accounted nothing? Was that long and faded
retrospect of years, happy or miserable, a blank
that was to make his eyes fail and his heart
faint within him in trying to grasp all that had
once vanished, because it was not a prospect
into futurity?"</P>
<P>Yesterday has been, and is, a bright or dark
layer in the time that makes up the ages; we are
certain of it, with its joys or sorrows;
to-morrow we may never see, or if we do, how
shall it be better than the days that are
gone—the times when our feet were stronger
for the race, and our hearts fuller of
hope—when, perchance, our "eyes looked
love to eyes that spake again, and all went
merry?" Why should we look forward so eagerly,
where the way grows more dusty and weary all the
time, and is never smooth till it strikes across
the level floor of the grave, when, a little way
back, we may gather handsful of fresh flowers?
Whatever evils are about us, is it not very
comforting to <I>have been</I> blessed, and to
sit alone with our hearts and woo back the
visions of departed joys? And who of us all has
had so barren and isolate a life that it is
gladdened by no times and seasons which it
pleases us to think eternity cannot make dim nor
quite sweep into forgetfulness?</P>
<P>For myself, when I move in the twilight or
the hearthlight, thought, in spite of the
interest that attaches to uncertainty, travels
oftener to the days that have been, than to
those that are to come. With the dear playmate
who has been asleep so many years, I am walking
again, pulling from the decayed logs mosses that
make for us brighter carpets than the most
ingenious looms of men may weave; I am treading
on the May grass and breathing its fragrance
anew; I am glad because of a bird's nest in the
bush, and feel a tearful joyousness when the
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cedar pail brims up with warm milk, or the
breath of the heifer, sweet as the airs that
come creeping over the clover field, is close
upon my cheek while I pat her sleek neck,
praising her bounty. Then there are such bright
plans to plan over! what though so many of them
have failed? they had not failed then, but
seemed very good and beautiful, and it is as
easy to go down to the bases of our dreams, as
to think of their tottering and falling. True,
as I am putting flowers among the locks over
which the dust lies now, I must needs sometimes
think of the dust, but that I can cover with
flowers also, and feel that there is no moaning
in the sleep which is beneath them. There is
another too, not a playmate, for whom, as the
evening star climbs over the western tree-tops,
I watch, joyfully, for hope has as yet never
been chilled by disappointment. And sure enough,
the red twilight has not burned itself out, nor
the insects ceased to make their ado, before the
music of the familiar footstep sounds along the
hush of a close-listening, and
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